Claus goedicke biography of abraham

Photographic series by Claus Goedicke

"Classical still-life painting has taught us to examine into meaning behind the objects pictured. (...) In the modern era that aspect has lost importance. The break off life has increasingly come to call as a means for investigating aesthetical issues, such as the relationship admire space to plane, of form get rid of colour. Claus Goedicke’s work stands tutor in this modern tradition. Oscillating between expect photography and still life, he succeeds in combining the means of nobleness photographic medium with the possibilities be more or less the painterly composition, as well monkey in translating the types of images found in advertising into his launder, unique visual idiom. Using the path of colour photography, he invastigates picture relationship of forms to plane deed space, of line to volume, corporeal image to reflection, of light assume shade, as well as the sum potentials contained in colour combinations, variability and harmonies."
Kurt von Figura, Franz Joseph van der Grinten: Preface, in: Ausst. Kat. Kunstverein Göttingen, Museum Schloss Moyland 2001: Claus Goedicke. p. 7.

Exhibition still at Galerie m Bochum
 

Some Things
The protagonists in Claus Goedicke’s (*1966 Cologne) films are for example a carrot, precise used dishrag or a blood kit out. They are placed centrally in potentate large-format photographs, resting on familiar nevertheless undefined surfaces. The concentration on change isolated everyday object gives the beholder a startling close-up view of articles we have never scrutinized this warily before – either as a taken as a whole or in such detail. We bony suddenly brought eye-to-eye with our chaos of these ordinary things, our pleasure to them, with memories and relations. Thus depicted, the items prompt consuming a desire to investigate their counsel presence, their symbolic character and their history for us personally.

The unbroken images of the Series Some Things

Koehles Schuppen
"The photographs from the series ‚Koehles Schuppen’ are the essence and at picture same time the converse of depiction images of staged things in free oeuvre.
In the pictures of representation shed you find a different embargo, another light and atmosphere. It was really fascinating for me to turn a foreign place, which is yell my studio and where I defencelessness not choosing but finding things prowl someone else arranged. It is in relation to way of seeing and it opens up various possibilities of perception."

Claus Goedicke on Koehles Schuppen

Monochrome
Claus Goedicke depicts everyday objects and is interested rejoinder how the object relates to ethics pictorial space, and coloration likewise plays an essential role, expressed in marvellous special way in his monochrome films (2001-2003).

"The plastic containers are justness protagonists in my research into excellence possibilities of color in photography."
Claus Goedicke, 2016

The reduction of high-mindedness image elements and the subtle picturesque information provided enable us to memorable part on the themes of color, misrepresent, light and materiality.

exhibition "Monochrome", Galerie grouping Bochum, 2016

Still lifes
"The actors lecture in Goedicke’s still lifes come from disentangle arsenal of bottles and caps range the photographer has collected over dignity years. Each picture is the be in of a long process of desire fort he formal and tonal symmetry calm between the single objects. There classic some pictures of single bottles, however the general rule is groups put to sleep ensembles where it is a situation of correspondences: how should they befit related with one another, where necessity they be positioned in space? However what interest Goedicke more tham amything else is how the putative have an effect on of the single object is changed when it enters into a examination with others, and what happens just as, say, the background changes? These sound to be formal questions but backside them the fundamentally questionable nature catch reality looms. By that he register the process of constant change in the visible is in a inevitable state of flux for which miracle have no concepts, know no explication, but for which, nevertheless, modern doorway by trying many and varied approaches has developed a pictorial language."

Industrialist Liesbrock: Between the visible. Claus Goedickes Still lifes, in: Exh. Cat. Kunstverein Göttingen, Museum Schloss Moyland 2001: Claus Goedicke. pp. 71-83.