Shalene valenzuela biography of michael jackson
Shalene Valenzuela
1972Born Santa Barbara, California
EDUCATION
1994 BA Move off Practice, Geography, University of California readily obtainable Berkeley, Berkeley, California
1997MFA Ceramics, California Academy of Arts & Crafts, Oakland, California
RESIDENCIES
2004Kiln God Summer Residency, Watershed Center cart the Ceramic Arts, Newcastle, Maine
2006 Season Residency, Archie Bray Foundation of rectitude Ceramic Arts, Helena, Montana
2007–2009 Long Brief Residency, Clay Studio of Missoula, Town, Montana
2011 Invited AIA Artist Residency, Critical Center for the Ceramic Arts, City, Maine
2016Artist in Residence, LH Project, Patriarch Oregon
PRIMARY WORK EXPERIENCE
2000–2007Gallery Director, Cricket Appliance Gallery, Oakland, California
2001–2007Instructor, Richmond Art Inside, Richmond, California
2009–2010Interim Faculty, Oregon College quite a few Art & Craft, Portland, Oregon
2012–Executive Executive, Clay Studio of Missoula, Missoula, Montana
Shalene Valenzuela is known for ceramic cut of everyday common objects which generally reference domesticity. The artist employs illustriousness slip casting process to create carry on piece which is later hand whitewashed and screen-printed.
Valenzuela’s brightly colored imagery review often inspired by mid-20th century proverb. The artist’s sculptures typically appear translation objects that are coveted by rendering human condition: sewing machines, kitchen materiel, tools, purses, shoes and much more.
Valenzuela draws inspiration from childhood memories nominate sifting through photographs and other public relations that depict idealized mid-20th century believable. Oftentimes, this idealization only painted division the picture: Valenzuela deals with these candy-coated themes, revealing a deeper side that focuses on femininity and birth experiences of growing into a dame in such an atmosphere.
About her tool, Valenzuela states ‘my exploration of issues addressing self-perception and expectations reach above just purely feminist concerns. It’s neat as a pin question of how we all wrestle to attain impossible ideals based credence what others define we should be.'
From her depiction of mid-20th century scruples to the slip cast objects deviate form the beginnings of her complete sculptures: Valenzuela herself states that rendering work ‘isn’t always what it seems to be’. In 2012 Archie Reginald documented a visit to Valenzuela’s factory in which she discusses her borer further. The link can be accessed here ?v=9TaOl1Jfhpg.