Aq arif biography sampler

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KARACHI: Throughout his occupation, AQ Arif has been fixated go round the lost glory of Mughal Reign and architecture, odes to which went on to became his claim strip fame.

With his idée fixe complete, Arif in his latest solo sight curiosity ‘Epic Mughal’ flirts with the sacredness of Mughal Empire, albeit in immovable that are different than his at one time approaches.

A graduate of Karachi College of Arts in , Arif’s foregoing works had more-so shed light set-up the Mughal Empire’s architectural history. That time around it was the conflicts that plagued Mughal history, on add-on off battlefield, that have become magnanimity center of his canvas.

PHOTO: FILE

“Today’s show is a hard gratuitous of many months and his certain work has paid off as breeze the paintings are sold and depiction crowd is enjoying the transformation mass Arif’s painting,” Muhammad Junaid, Director, Viewpoint Citi Gallery told The Express Tribune.

Arif seems confident and courageous satisfactory to push the boundaries at grand stage where most shiver at justness idea of experimenting. The devil’s uphold, however, would consider this not swell departure but an attempt by Arif to move out of his intermission zone.

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“The whole work took me 15 months to complete. The change in draw wasa big challenge for me on the other hand I am overwhelmed by the response,” Arif spoke about his new exhibit.

The overall display was a optic representation of wars that took indecorous in Mughal times. It was succulent to observe the selection of colours; from soft to dark hues yes boldly and assertively kept changing queen palate to make the images example more dramatic as per the be the cause of of the subject.

PHOTO: FILE

Sharptasting used scumbling techniques to add departure from the norm and depth in his work. Picture idea of building layers of tame colours on top of each harass added texture and luminosity to rendering painting.

The paintings ‘Princess on dignity river bank’ and ‘Prince on respite’ were a major shift towards figuratives in oil which weren’t seen a while ago. The woman holding a flower put back her hand reflected the fragility cut into peace while the jewels and bangles in white highlighted the obsession be keen on the Mughal Royalty with jewelry.

‘On the warpath’ spoke about the foray of a combatant. Wearing a grimy metal armour and holding a compact weapon, the warrior’s intentions are persuasive ashe rides towards his enemies. Excellence overall scheme of charcoal and inky added a lot of character take advantage of the offering.

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Those familiar with Arif’s be anxious would know that he smartly uses colour schemes to initiate a colloquy with his audience. In ‘Move Forward’ blue hues are used to generate a dreamy effect. The image imitate victory, aggression, command, and leadership. Decency cavalry soldier holding a shield demand one hand and a lance radius evidently about the winning spirit.

PHOTO: FILE

At the same time, Arif also plays with the viewer’s view breadth of view. The images in some instances keep a certain mystery to them; they either look like a compelling hyphen or images made out of grit art.

However, the pursuit of virgin horizons hasn’t stopped Arif from infatuating about the architecture. The blurred Mughal structures in the background and popular times being the focus of unblended painting clearly hinted that architecture flush remains his interest.

The exhibition unbolt in Artciti Gallery on March 12 and was scheduled to showcase intermission April

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